Resilience: Will We Survive This Year?

I know this year is hard. I’ve been in education for 16 years and have seen and heard a lot of education policy come and go. This year is no different, except that it is. The difference here is that we are literally trying to survive a virus that is raging all around us while being asked to move mountains with children. I know at my campus we’ve been asked to implement a few new things and with every step I feel the same way, “how am I supposed to survive until the end of the year, both literally and figuratively?” I hope this post can shed some hope and maybe help you feel some sense of peace for our future. Here I offer five ways to increase student resiliency and in turn, help your own resilience.

Resilience is the ability to bounce back from stress, adversity, failure, challenges, and trauma. When students are resilient, they take healthy risks, do not fear falling short, are curious, brave, and trust their instincts. Resilient students know their limits, push themselves, set and reach long-term goals, and can solve problems independently. So how do we go about promoting student resiliency?

Classroom Routines

When you create a positive physical space for students, you promote calmness and positivity. When you give the students brain breaks, predictable greetings, transitions, and independent work time, they can rely on the routine to help face adversity. In your routines, allow for time to focus on character strengths to teach children how to identify, recognize, practice, and use those strengths. Foster a place where mistakes are not only welcomed but embraced as part of learning. When your classroom culture reflects diversity, encouragement is the norm, and student input is valued, students in your class will be more likely to take risks and accept failures.

Acceptance

The first step to resilience is acceptance. You need to accept and validate their emotions, allow them to feel and work through their emotions in a healthy way, and always let them know you are there to help. Do not tell a student to stop doing XYZ when they are expressing emotions. If a student is crying, for whatever reason, validate their emotions, acknowledge their feelings, and help them understand that crying and feeling what they feel is okay, and let them know you are ready to listen when they are ready to talk. I am not a person that allows students to cry at the same level for every issue they encounter. I try to incorporate a learning opportunity of the severity of the situation versus their reaction. We react this way when someone hurts me but when I do not get the color I want, crying is alright, but we do not need to explode and become angry or violent.

Product Over Process

Do not emphasize product over process, especially in the elementary music room. We want students to explore, create, and learn music within the confines of what is right, sure. However, when we “teach to the test” as they say, we ruin that process. When we stress over the final product, the performance, this takes away from the learning process from which the students are learning all their vital musical skills. You do need to of course measure right from wrong, teach correct technique, but also allow students to try again without negative consequences. Let the process be a place of creative thinking and trial and error, not a time to perfect and polish a performance. During the learning process when a student is frustrated, turn their I can’t statement into a resilient statement such as, I’m tired and need a break or I have solved this problem before and I can do it again. Teachable moments happen all the time during music class or ensemble rehearsals. We can use those moments to talk about resilience and how we can not only improve has musicians, but as humans. When we do this, we show that resilience is not the stamina it takes do hang in there and learn a difficult concept, rather a process we go through to affect the outcome.

Be an Example of Resiliency

Show students that you make mistakes and can find another path.  When you tell students what and how you’re feeling and how you’re overcoming your stressors, it helps them decipher their feelings and manage their stressors. Students need to know that we understand them because we also go through hard times. Even now, during the pandemic, we can demonstrate resilience. We don’t have all the answers, and it is alright to be scared. When we acknowledge our fears about the future and demonstrate that knowledge is power it will help them remember that it is okay to be scared and uncertain, but we can make it through and move on!

Practice Self-Care: No, not spa days, pjs, and coffee

Teachers can suffer from caregiver fatigue very quickly. When you teach in a trauma informed environment, this lessens our potential for caregiver burnout. When you care for others with trauma you can suffer from insomnia, fatigue, aches, pains, lack of motivation, lack of concentration, isolation, anxiety, and feelings of hopelessness or anger. We can alleviate these symptoms by changing how we do things in the classroom to increase our own resiliency and our student’s. These are not permanent conditions, and you can overcome burnout. You can make simple changes like issuing trigger warnings before teaching a lesson. You can learn your students’ triggers (write them down if you need to) and do your best to avoid them or issue a trigger warning before proceeding. Allow students the chance to opt out of triggering activities without penalty. No, they can’t get out of work, but they can skip a song or lesson if it means they avoid being triggered and you avoid a trauma response. You can practice and teach a few grounding techniques by working with their classroom teachers or special education teachers to find out what helps the students calm down, reset, and move forward.

There are two camps about resiliency. Some feel resiliency is taught and practiced, much like learning an instrument. Others think resilience is something you are born with, like talent. As musicians we have a unique perspective on this as some of us are exceptional musicians because we worked at it, practiced, and became masters at our craft, others have raw, natural talent that helped along the way. We can see a struggling student and remember that resiliency is like learning music, either you have it easier with talent or you don’t, and hard work can move mountains.

Sing! Say! Dance! Play! Care!

Analisa

We are all struggling. You, my friend, are NOT alone.

Wow, we were all so excited to get back into our classrooms and see our students. I shed so many tears March 2020, through all last school year, and I would be lying if I said I had not shed a tear or two this year. Teaching is hard, the pandemic made it harder. The good news is you’re not alone. This is not only happening in your room, your campus, your district or even your county or state. This is happening all over the US, and I would imagine the world.

As much as we do not want to admit it, what happens in our classrooms is greatly impacted by what happens in the world around us. Our students are amazing, resilient humans that have been through so much. My district used the analogy of all of us being “in the same boat” and why that isn’t true. Some of our students weathered the storm in a canoe, some a sailboat, and some a yacht.

When I welcomed my students this year, I gave no thought to this analogy. Surely, my kids would be ready to jump into making music. Surely, they missed me as much as I missed them. Surely, they would be excited to join all the clubs, instrumental ensembles, all the things! No. No, they weren’t Their stamina isn’t what it used to be. They’re tired. Tired of just surviving.

So, I revisited the district’s analogy. I realized more than half of my campus weathered this ongoing storm in a canoe and they are traumatized, tired, and socially inept. None of these new traits are their fault but are a result of the mass trauma we are all going through right now.

What now, Analisa? I’m really struggling. I want to quit.

1. Meet your student where THEY ARE not where YOU WANT them to be.

My students are about a grade level and a half “behind”. I just did a third-grade lesson in fifth grade, and they loved it! They laughed, they played, but most importantly, they learned. Yes, they learned rhythms that I typically teach third graders, but they don’t know that, nor do they need to know that. Will they be ready for middle school music by the end of the year? I don’t know yet, but they’re happy and healthy, that’s what matters most right now.

2. Throw your IPG, YAG, BOY/EOY Assessments and whatever other acronyms you can think of, out the window.

I normally follow my IPG (Instructional Practice Guide) closely. I monitor where my students are, what they should be learning, where we are in the Orff process in relationship to my district/state expectations. This year I’ve had to readjust my YAG (Year at a Glance) and assess along the way to check for knowledge gaps. My kids are very strong at rhythms. Melody, elements of music and movement are lacking quite a bit. It makes sense that it is these objectives that are lacking as those are difficult to translate through a screen. We need to be okay with re-teaching concepts from a few years past. Our kindergarteners are the only ones that might be on track right now if they aren’t being held back by social skills and developmental delays due to lack of pre-school for some of them.

3. Focus on social emotional learning while you’re making music

I completely had a first-grade lesson go an opposite direction this last week, with my fine arts coordinator in the room. Now he was in the room just to hang out and see what we’re up to and just check up, no formal evaluation or anything like that, but the lesson went off the rails. I had taught this lesson three times already to my other first grade classes and had my pacing down pat. Then it happened. These little ones had a different idea in mind. They weren’t naughty or even off task, but they were very needy. I had to slow my pacing way down, give very explicit instructions in a part of the lesson I hadn’t planned on them struggling with, and model a ton. This took up time, time that I hadn’t expected to lose so I rushed the instructions on their composition pumpkins. Their little pumpkins that were supposed to have So/Mi teeth to play along to this week, basically have teeth with no melodic contour at all. It kind of became an art project rather than a composition. They don’t know that we messed up nor do they probably care. We had a blast, coloring, chatting about Halloween, and building those relationships that everyone keeps talking about. I explained to my fine arts director that I will most likely just adjust their lesson a little bit this coming week and I’ll give them pre-made jack-o-lanterns for them to play on Boomwhackers. I wasn’t going to sweat it. We had a moment, we grew closer together, we complimented each other’s color choices, we talked about being excited to trick-or-treat “like normal” again and they were happy. My job was done.

If you take anything away from this blog, take away this fact, you are not alone. You may be the only teacher on your campus that teaches music, but there are so many educators going through what you are going through. The kids are disrespectful, yes, I teach organic children, too. I believe if we adjust our content, our approach, and meet them where they are, the respect will return.

Sing! Say! Dance! Play! Care!

Analisa